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VA - MY GLASS IS EMPTY - Armadillo Killers' Compilation
01 - Edna Lee - Full House
02 - Dave Howell - Down The Aisle To Heartbreak
03 - Tex Williams - If It's All The Same To You
04 - Wes Green - Hard Luck Times
05 - Jan Stark - Just Break It To Me Gently
06 - Al & Jean Shade - Forever And A Day
07 - Bobby Denver - Less And Less
08 - Dotty Robbins - Happy Birthday
09 - Bobby Shannon - Daddy Mama Won't Answer
10 - Buddy Heath - Thank You For Lovin' Me
11 - Jim White & The King's Men (Jim Mundy) - In Every Way
12 - Sunny Dupan & His Moon Men - My Glass Is Empty
13 - Woody Bridges - I'll Still Love you
14 - Jackie Dixon - Kidnapped?
15 - Frank James - Dim Lights Thick Smoke And Booze
16 - Jerry Starr - Fool Enough To Be Your Fool Again
17 - Doug Warren - Troubles To Burn
18 - Booker Smith - Honky Tonk Atmosphere
19 - Scott Richards - It All Depends
20 - Rufus Shoffner & Speedy Rodgers - Hillbilly Wedding Bells
21 - Earl Roach - I Won't Find Anyone
22 - Cliff Shepherd - Railroad Crossing
23 - Carl Stevens - Pocket Full Of Friends
24 - C. W. Mitchell - Welcome Home
25 - Tiny Murphy - 42
26 - Eddie Albert - Just Waitin'
27 - Don Cochran - It's Funny What A Barroom Will Do
28 - Al Jones & The Spruce Mountain Boys - Out In The Country
29 - Jamey Ryan - Baby, I Tried
KH-2025-42
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The Legendary Jay Miller Sessions
Flyright Records, Released 1972-1985
This, the single greatest collection of Southern-style R&B was never officially released in the US, and has never been reissued on CD. The Legendary Jay Miller Sessions is a collection of Blues, Rockabilly, Country, Cajun, Zydeco, and Swamp Pop, recorded in Crowley, Louisiana, that has never been matched by any comparable release. Miller licensed these tracks to Flyright Records (UK) who were authorized to distribute them in the UK and Scandinavia, from about 1975 to 1985.
Miller is often compared with Sam Phillips, the legendary Memphis producer, but Miller was not only a producer and talent scout, he was a successful songwriter and performer in his own right. A large percentage of songs on these LP's were written or co-written by Miller himself, some credited to his nomme de plume, J. West.
What strikes me about Miller's productions is his lack of a predictable formula. Some productions are incredibly slick, even by today's standards. Others are primitive examples of the early days of rock and roll recording. The make-up of every band is different. Some bands had no bass player or kit drummer, for instance. He used combinations of electric and acoustic instruments, including steel guitars and fiddles, "found" percussion (as well as shakers, claves, congas and bongos), accordions, and electronic studio effects. Horn sections were sometimes tightly arranged, other times, they took on more of a free-form Dixieland style.
Lousiana R&B during this period (1945 - 1970) reflected a wide variety of influences, including Appalachian bluegrass, Memphis rockabilly, Texas swing and Chicago blues, not to mention the influence of old-time polkas and waltzes that came to us from Europe. Much of it is sung in Creole French. And it is all captured in these collections.
Special thanks to Uncle Gil's Rockin' Archives.
ENJOY --->
COWGIRLBOY Records 5011-5020 (320 KB)
https://workupload.com/file/HDKybp855wQ
Many thanks, Uncle.
Thanks Uncle
Thank you for continuing COWGIRLBOY Records series!! Great stuff here.
Thank you very much too you all
Many thanks for sharing
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