mercredi 16 mars 2022

Clean Your Own Tables





















JOHNNY CASH - JOHN R. CASH - LP

A1 - My Old Kentucky Home
A2 - Hard Times Comin'
A3 - The Lady Came From Baltimore
A4 - Lonesome To The Bone
A5 - The Night They Drove Old Dixie Down
B1 - Clean Your Own Tables
B2 - Jesus Was Our Saviour
B3 - Reason To Believe
B4 - Cocaine Carolina
B5 - Smokey Factory Blues

Vinyl rip

5 commentaires:

Anonyme a dit…

Thanks for sharing this low quality LP. Is there any chance to get Flac or .mp3 (320) for all albums from now on and not just of the one you`ve shared yesterday? Thank you. Pete

Anonyme a dit…

Not bad to my ears for a sample quality rip from maybe 2008, merci Uncle Gil, think I never caught it before.
Now, I just can't understand why the ones who are not satisfied with the offered quality since 2006 for free don't simply move on or at least be less demanding.
And in order to stay under the radars, it might perhaps not be such a good idea to upload openly flac files of JC's records but I might also be wrong.
Alain

Uncle Gil a dit…

@ Pete :
I don't have much time anymore and this album is always commercialised. Sorry.

@ Alain : Merci pour vos commentaires dont la justesse me va droit au coeur. Thank you for your comments, the accuracy of which goes straight to my heart.

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I have already ripped about 4000 LP's and more than 2000 CD's. I'm not talking about the time spent scanning in the best way... nor the illustrations of thousands of compilations
I see many of my albums circulating whose bitrate has been re-encoded. Of course, the "quality" is not "better". :)
What matters is what you see or what you hear?

flatspin a dit…

Thanks. Even though the Robert Hilburn bio reports Cash as saying "I don't even consider that 'my album'" it's genuinely a treat to get the opportunity to listen to it.

Anonyme a dit…

I was at Ray Stevens' studio the day in August, 1974 when Cash cut the vocal for The Lady Came From Baltimore. It was a hot day so the studio door was open, as they couldn't record with air conditioning blowing. Cash was in a booth, so street sounds couldn't spoil the takes.

Here's the amazing thing: his run-through was pure, beautiful Johnny Cash, but he was not satisfied with it. He worked on every line, perfecting it. I was around for about 2 hours, and he hadn't finished yet.

The final version sounds like he tossed it off, but like so many of his other recordings, he crafted his performances very carefully.